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Culture of Shaolin Quan
By:ChinaA2Z 2008-2-21 16:30:16

Shaolin Quan or Shaolin Chuan originated in the Shaolin Temple on Mount Songshan at Dengfeng in Henan Province. It was named after the temple. The founder of the Shaolin Quan was said to be an Indian monk, Bodhi-dharma. The proposition, though very influential, was proved to be false, for there was a monk named BodhHiharma but he knew nothing at all about Chinese Chuan. In fact, Shaolin Quan was the manifestation of the wisdom of the monks of the temple, secular Wushu masters and army generals and soldiers.

In the Qing Dynasty (1644-1911), the people living around the Shaolin Temple were very active in practising Wushu, which boosted the development of the Shaolin school of martial arts. In the Shao-lin Temple, the rear hall was used for Wushu exercises, where various kinds of weapons were dis-played on the weapon stands ready for use at any time. Some monks practised fist fighting to safe-guard the temple. After years of exercises and practising, foot prints were stamped on the brick floor of the rear hall and these prints can be seen clearly even today. On the north and south walls of the White-Clothes Hall, there are Qing Dynasty murals vividly depicting the exercises practised by monks in the temple. In the fifth calendar year of the Yongzheng reign of the Qing Dynasty (1727), people were not allowed to practise Wushu. However, they could not be stopped either in the secular society or in the Shaolin Temple, where Wushu was practised underground.

Shaolin Quan is powerful and speedy with rhythmic rising and falling of body movements. It stresses hardness of actions and blows but it also advocates softness in support of the hardness. The motto of the Shaolin fist fight says "hardness first and softness second." When jabbing or palming, the arm is required to be neither bent nor straight, in an attempt to blend external and internal forces.